Your analysis
should put forth an original thesis of your own. The paper should be primarily concerned
with justifying your claim based on primary texts and information from the
period.
Disciplinary Approaches (taken
from the Honors Guide to Critically Engaged Reading and Writing) Keep
in mind that different kinds of papers assume different approaches to the
topic at hand, as well as different approaches as to what constitutes good
evidence and a convincing thesis:
History
papers, for example, are concerned with constructing an organized,
often narrative, account of past events and often their potential causes,
too. They want to answer with confidence the question, "What
happened?" Thus, their claims are often based on primary sources from the period, be they
writings, objects, statistical information, archeological discoveries,
etcetera, as well as secondary sources already written about the period in
question. History essays pay close attention to the reliability of their sources and
seek to check their consistency and corroboration. All history is to a
certain extent an interpretation of what the past is like; thus, it must
seek to prove a particular view by mustering convincing evidence.
Literature
papers can address a number of questions or issues involving works
judged literary in nature. Typically, these include poetry, drama/script,
fiction, and creative essays. In general, literature as a field is
concerned with the interpretation of literary texts as objects of world,
national, and regional history, as socio-cultural expressions of various
persons and time periods, and as works of beauty and even truth. There is
however no agreement in the field of literature over how to go about this;
rather, the field is dominated by about a dozen or so competing approaches
to textual study and appreciation. In general, one can say rather broadly
that a literature paper is either concerned with telling your reader
something about the context of a work and how this shapes one's
understanding of it or about the formal way the work is constructed--its
language and story, as well as their impact on readers. Regardless, they
seek to prove their point by mustering evidence from history, culture,
and/or the text itself to justify their particular understanding of a
work. Similar things can be said about works that analyze visual art,
theatre, music, and film.
Philosophical
papers are involved with philosophical questions. They seek to
criticize, defend, support, call into question, or apply philosophical
claims. As a result, they examine the logic of ideas, they offer reasons
for believing or disbelieving a thesis, they seek to clearly define their
terms, and exclude anything that seems irrelevant to their position. At
times, a paper that is examining a historical philosophical position may
be more interested in establishing the past thinker's position than in
debating its merits as philosophy. Philosophy is concerned with questions
such as:
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Ontology:
What is the world that we see around us? (What is reality?) Is there
more to the world than just what we see or hear? If nobody sees
something happening, does that mean that it did not happen? What
does it mean to say that something is possible Is there anything
very special about being a human being or being alive at all? If
not, why do some people think that there is? What is space? What is
time?
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Philosophy of mind: What is a mind? What is a body? What is consciousness? Do
people make choices, or can they only choose to do one thing? (Do
people have free will?) What makes words or ideas meaningful? (What
is the relation between meaningful words or ideas and the things
that they mean?)
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Philosophy of religion: Do people have souls? Is there a God who created
the Universe?
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Epistemology:
What is knowledge? How can we know anything? What is science? What
is truth?
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Ethics:
What are right and wrong, good and bad? Should people do some things
and not others? What is justice?
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Aesthetics:
What is beauty? Are true things beautiful? Are good things
beautiful? What is art?
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Logic:
What do the words we use mean? How can we say things (especially
ideas) in a way that only has one meaning? Can all ideas be
expressed using language? What is truth?
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Social
Science papers include the fields of psychology, sociology,
anthropology, economics, and political science, to name the more common
ones. Each has its own particular area of focus, but all seek to explain
human behavior by observable, testable means. This means they tend to
focus on social and or psychological factors that can explain or predict
human behavior. They often rely on deep description of case studies, but
more often they seek to build from statistical surveys that yield
potential correlations between factors and behavior. The higher the
percentage of correlation, the more likely there is a relation between the
things in question. This is not the same as clearly establishing a cause
as one might in the hard sciences. Nevertheless, the social science paper
will include examples of its instruments and methodology. Papers that seek
to ask social science questions of historical data often apply current
theory to past occurrences; this leads to something like a hybrid of
history and social science.
Theological
papers share much in common with the above methods. They often seek to
examine theology or religion in general from a historical, cultural,
philosophical, or sociological perspective, but they also appeal to the
sources that count as authoritative in the faith in question: the sacred
scriptures, creeds, church councils, liturgical texts and practices,
witness of past lives of the faithful, theological experts, as well as the
accounts of personal experience to a lesser extent. Within the Christian
faith, for example, areas in doctrine alone include:
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The doctrine of God—his
character, nature, and divine attributes
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The doctrine of Christ—his
two natures, his cosmic role, the purpose of his life and ministry,
his relationship to the Church
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The doctrine of the Holy
Spirit—his role in creation, Biblical revelation, the Church, and
the world
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The doctrine of the
Trinity—their ontological and economic relationship, their unity and
diversity, their role in each aspect of creation, salvation, etc.
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The doctrine of creation—its
origin, order, substance, and relationship to God, human beings, and
other creatures
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The doctrine of
humanity—their origin, make-up, purpose
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The doctrine of sin—it
origin, impact on creation and humanity
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The doctrine of
redemption—its cosmic, corporate, and individual elements
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The doctrine of the
Church—its universal nature, relationship to God and the world, its
government, its purpose and mission, its sacraments/ordinances
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The doctrine of angels and
demons
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The doctrine of last
things—heaven, hell, judgment, the second coming of Christ, the new
heaven and earth
Theological
papers are often concerned with the correct understanding of scripture,
doctrine, canon law, or other texts and ideas considered authoritative by
the faithful. Equally, they are often concerned with arguing for the
correct application of a doctrinal understanding in the life of the
faithful.
Of course, one should keep in mind that all of these disciplines
once they enter the realm of historical texts will be concerned with
matters of history, just as the historian will call on matters of
literature, religion, economics, and so on as needed. Nonetheless, despite
the overlap between the disciplines, one can still trace a decided
difference in emphasis.
Consider, for example, how each of our fields might engage a single
subject: the medieval saint Godric of Finchale (c. 1069-1170). Godric is
of interest to scholars in different fields because he lived the first
part of his life as a merchant, sea captain, pirate, and pilgrim to
Jerusalem
. While he lived to deeply despise his early course of life and gave it
all up to become a hermit, he recorded in some detail the events of his
early mercantile life. A history paper would be deeply concerned with
tracing back the course of Godric's life and comparing his writings
against other known descriptions from the period. The paper might be
interested in testing Godric's descriptions of his pilgrimages, for
instance. A literature paper, on the other hand, might be much more
interested in the strong florid metaphors and typological imagery Godric
uses in the narrative of his life, exploring how Godric's hatred for his
past shapes his strong pictures of good and evil. A philosophy paper might
use Godric as an example of the medieval ethic regarding usury and trade
law, and perhaps conduct a philosophical examination of the view's
strengths and weaknesses. An economics paper might be interested in Godric
as clue to medieval growth in trade and shipping in order to argue that
the seeds of capitalism were not only present by this time but in full
flower. The theology paper might be interested in critiquing Godric as an
example of the problematic dualism in some medieval theology of work and
vocation. Each would have its own chief areas of focus, as well as
therefore, what it regards as acceptable evidence.
Documentation & Plagiarism
All documentation must conform to MLA guidelines for both the Works
Cited page and parenthetical citation of page/line numbers. If you are unaware what
MLA style requires, be sure to review the necessary information in a current writing
handbook or online. (MLA Style
Citation of Sources)
Remember that DBU's Honor Code says the following about plagiarism
and collusion:
- Plagiarism
shall be defined as the appropriation, theft, purchase, memorization, or
obtaining by any means another's work, and the unacknowledged submission or incorporation
of that work as one's own offered for credit. (Appropriation includes the quoting or
paraphrasing of another's work without giving credit therefore.)
- Collusion
shall be defined as the unauthorized collaboration with another in
preparing work offered for credit. A student is not guilty of collusion if he or she
merely discusses with another a matter relevant to the work in question.
Any student found guilty of plagiarism and/or collusion in
regards to the research paper (or any other major assignment) for this course will be
subject to one or more of the following: a failing grade for the assignment, no credit for
the assignment, and/or a failing grade for the course itself. [Click
here for more information on plagiarism and collusion.]
You should also include a copy of the final draft on a
computer disk along with the print version when submitted to me. |